Annie Picard Music Instructor Phone: (773) 244-4867 Hanson Hall, 1st Campus Box: 21 Degree: B.M., University of Missouri, Columbia M.M., Artist Diploma New England Conservatory D.M.A., University of Illinois, Urbana-Champaign
Lyric soprano Annie Picard is a soloist, chamber musician, and voice teacher whose musical achievements have been widely recognized and rewarded. A multiple award-winner for her work both performing on the stage and teaching in the studio, Annie is equally at home in the realm of opera, oratorio, art song, and chamber music. She has performed with Lyric Opera of Chicago, Opera Theatre Saint Louis, Du Page Opera Theatre, and Illinois Opera Theatre, and has sung on concerts throughout the United States, including appearances with John Wustman for his Schubert Lieder recital series. Annie’s great passion is performing art song and chamber music, and she enjoys being musically adventuresome, dedicating herself to creating recitals that explore widely varying themes and genres. Her repertoire ranges from lute songs by John Dowland to Dominick Argento’s Letters from Composers, and she is as compelling in French, Italian, German and Russian as she is in English. Born in Montreal, and raised outside St. Louis, Annie received a Bachelor of Music as a Curator Scholar from the University of Missouri at Columbia; a Master of Music and Artist Diploma from the New England Conservatory in Boston, and a Doctor of Musical Arts from the University of Illinois at Urbana-Champaign. Her teachers include voice with Costanza Cuccaro, Susan Clickner and Nicholas Di Virgilio; coaching with George Darden, Margo Garrett, Louis Krasner, Eric Dalheim and John Wustman; opera with John Moriarty and Robert De Simone. Annie Picard joined the music faculties of North Park University and Moraine Valley Community College in 1998. She became a Board Member of the Chicago Chapter of NATS in 2010. Annie’s unique teaching style strikes a balance between the pedagogical and the “natural”: she instills in her students a thorough understanding of the technical aspects of singing, but with equal emphasis on the kinetic, and on singing freely, both bodily and in expression. |